Archive for July, 2010

Oh, how I wish this show were complete! I think this is my favorite music program yet. Stan Kenton and his orchestra, live at the Palladium in Hollywood for their last show there after what was apparently a long run. Stan mentions that they’re making way for Gene Krupa’s band. In my searching, I couldn’t find a date for either Kenton’s last show or Krupa’s first show at the Palladium, but Christmas is mentioned in the program. He also mentions that it’s Sunday. This is on the reverse of my Christmas 1945 disc. So that narrows it down, but I still don’t know which Sunday of December 1945 this was recorded.

The recording starts mid-song. When it ends, June Christy is introduced and sings “A-sittin’ and a-rockin’.” Next up is “Never Too Late to Pray,” sung by Gene Howard. The final number is a version of Kenton’s theme song, “Artistry in Rhythm.”  He describes it, “the melody of our theme song, beat up into a real fast, rather exciting arrangement… we hope it gets that way this evening.” It features Eddie Safranski on bass, Vido Musso on tenor sax, Buddy Childers on trumpet, and Rob Collier on drums.

If you saw my post from Christmas 1945, you might remember that the record is broken, cracked all the way through from edge to center. I’m really happy that I was able to get this side recorded as well as the Christmas side. It took quite a bit of work, including my husband using his specialty tools at his studio to clean up the pops from the crack, but it came out pretty well. The end of the program drops out as Kenton is talking.

 

House of Squibb, 2-25-44

July 21, 2010

Here’s another episode of “Music from the House of Squibb,” this one from February 25, 1944.  The first half of the program is pretty good, but the second half has a lot of clicks and pops due to condition issues. I recorded it using a new stylus, hoping that it would track better through the rough spots. I think it did well until the point where the record is pretty much falling apart. I pieced it back together digitally as best I could.

The show is all movie music. Vera Brodsky is the guest singer. There’s also a male soloist, but I didn’t ever hear his name mentioned. I don’t know if maybe the very beginning of the show was missing, but what you hear is all that’s on my record. Mike Harron informs me that the NY Times listed Harrison Knox as the scheduled guest for this date, so it may be him (thanks, Mike).

The songs are “Suddenly it’s Spring” from Lady in the Dark, “I’ll Get By” from A Guy Named Joe, “Long Ago” from Cover Girl, and “The Piccolino” from Top Hat.

 

A Question for You

July 2, 2010

As I’m mentioned before, some of my records are in really bad shape.  There are some that skip badly through part or all of the program. I can remove some of the skips digitally, but sometimes program material gets lost in the skips and/or repairs. This is especially true since the demise of my 33rpm motor. It seems like when I’m recording at 78, the higher speed makes the needle “jump over” spots after skips so there are dropouts. Other times the outer edges of the discs are damaged so badly that I can’t even play the record to the end (they play from the inside out). As an aside, if anyone out there can give me a suggestion of a place that might be able to repair a 1940s Westinghouse motor, please tell me!

My question is, do you want me to put those poor-quality, incomplete programs on the blog? Or do you think my time would be better spent in getting up the ones that are more “listenable?”  One consideration is that the poor-quality ones take a lot more time for me to edit. I can probably do at least two or three better-quality recordings in the time it takes me to do one bad one. Of course, if the content seems historically significant I’ll put the time into it. But for more “run-of-the-mill” music programs, what do you think? For example, I’ve already spent several hours on a Frankie Carle show from February 1944, and I’m not finished yet.  It’ll probably take me at least two more hours to get it into a form that I would want to listen to. And I wasn’t even able to record all the way to the end of the record because of a broken glass base and delamination. Should I keep working on that or just set it aside?

Please respond in the comments with your opinion.